one of Most anticipated movies of 2024 It was, without a doubt, “Sand Dunes, Part Two”. A sequel to the 2021 film in which the young Paul Atreides plays (Timothée Chalamet) He joins the Fremen tribe and begins a spiritual and military journey to become the Messiah. Following its release, there are many who are already pointing to Denis Villeneuve's film as one of those sequels that is better than the first film and one of the most exceptional works of science fiction in recent years.
Villeneuve Begins to become One of the leading filmmakers In this type. It was his first conquest 'Access'the wonderful 2016 movie starring Amy Adams, Jeremy Renner And Forest Whitaker. Next, he would undertake one of the most ambitious and challenging projects in the history of cinema, directing a belated sequel to one of those great films that was so underrated in its time, and which years later would become a cult. film.
Under the title “Blade Runner 2049”, Villeneuve will bear the great responsibility of continuing “Blade Runner” with a story that takes place thirty years later. In which, Harrison Ford He will return as missing Blade Runner Rick Deckard, while the story revolves around a new Blade Runner named K (Ryan Gosling), responsible for discovering a highly hidden secret that could end the chaos prevailing in society.
The movie was released in 2027 – which you can find currently Netflix– They had a fancy cast to be a part of as well Ana de Armas, Jared Leto, Robin Wright And Dave Batista. Despite initial skepticism about this project, V.I FOTOGRAMAS review of Blade Runner 2049We confirm that a An “exceptional” film. Villeneuve signs off on a “quiet imagination, even weak at times, replacing the coldness and metaphysics of his other works with drive.” More emotional than cerebral. The emotion of Blade Runner 2049 is there and all over it.”
In this way, the Canadian director will be implemented One of the greatest science fiction films Deep and provocative in recent yearsPerfect balance of sumo Respect the movie Written by Ridley Scott, but without losing sight of the narrative possibilities offered by telling a new story RConsistent branch And one Formal elegance House brand.
“Blade Runner 2049” Treats Threads Transcendent like Memory, human identity, and artificial intelligence With an impeccable visual style that makes it a hypnotic work, and after 35 years of watching those tears in the rain, the wait was worth it.
Jorge is an expert in movies, series and comics. His favorite genres are horror and sci-fi, the perfect balance between the thundering scream of a slasher and the disturbing silence of space, and although he flirts with auteur cinema in search of that hidden gem far from the mainstream, he doesn't hide, The Thing is the commercial cinema of Marvel, Star Wars, DC and Pixar .
This troubled journalist discovered the mystery of “Twin Peaks” a few years ago, and since then, it's been just another concept trapped inside David Lynch's head. When he manages to escape from the Black Lodge, he revisits Mr. Carpenter's filmography, loses himself again between the pages of Moore and Gibbons' Watchmen, or begins to search for new emotions in the form of a miniseries.
After his short stint in media outlets such as TVE, RNE and La Razón's TV and Communications department, Jorge spent more than a decade in the hectic world of advertising agencies, where he had the opportunity to be part of different communications teams. Which allowed him to participate in evenings, events, parties and various efforts with artists of the stature of Antonio de la Torre, Jared Harris, Kim Dickens, Colman Domingo and Christina Hendricks. He arrives at FOTOGRAMAS in 2022, where he has carved out his niche as editor to write about the most popular series, the best Alfred Hitchcock films or all things franchises, reboots, series, sequels, prequels and various nonsense of the moment. Returning from this forms his passion for journalism and cinema.
Jorge holds a degree in Journalism from the Complutense University of Madrid, in addition to being Director of the RTVE Institute, where he acquired the concepts of pre-production, production and post-production of audio-visual materials.
